Showing posts with label Vocaloid. Show all posts
Showing posts with label Vocaloid. Show all posts

Sunday, 23 October 2011

New Vocaloid CDs: Vocalocluster and ハートフルシーケンス

The last of the CDs I've been waiting for finally came in the mail yesterday, so now that I've had a chance to listen to it, I decided to start writing about some of them.

Vocalocluster - compilation

First is the most recent addition: Vocalocluster. It's the latest in the line of compilation CDs that all start with "Vocalo-" and end with some arbitrary English word tacked on to make sure the whole thing makes no sense whatsoever (examples include -genesis, -nexus, -legend, -nation etc). I don't usually buy these general compilation CDs, but this one was an exception. If you've read my previous posts about Miku then you might be able to tell why from the cover art.


the reflected hand is not part of the CD design, believe it or not
It's the usual host of useless free stuff, but this time there was something (the big pad on the right side) that I'm not quite sure about. It has a foam backing, and it's too small to be a mousepad yet too big to be a coaster. It is a mystery.



The CD showcases pretty much every Vocaloid there is, starting out strong with a solid Miku rock song, a lighter song featuring a Luka who was tuned acceptably but no more, and then a catchy Gumi track from cosMo@暴走P. I've said before that I don't care much for this guy, but I do like this song. It's a pleasant change from his Miku work, which all sounds a bit similar to me. Next are a couple of songs by 黒うさP. Not someone I'm familiar with but the songs are well done and very easy to listen to, although they don't particularly stand out. Nem's song brings out some horns and is good apart from the use of Len (just a personal dislike for his voice, not anything to do with the tuning). Neru uses Rin for a rock song next, which turns out to be great. Rin's voice really excels for rock songs, and she doesn't disappoint here. Having said that, the next two songs use Miku to good effect as well, and I can see them growing on me significantly over time.

The second half continues with BadBye featuring a slightly distorted Miku, followed by the twins with possibly my favourite song on the album so far (despite my general dislike of Len). Track 12 is billed as featuring Luka, although it also seems to feature a chorus of others, though I'm not familiar enough with the male vocaloids to pick them out. Speaking of male vocaloids, the next song, by otetsu, features Gakupo. I'd hardly heard him before, but his voice has a very full sound with a good range. This holds for the next track, Arrest Rose, as well - this time featuring the male trio of Gakupo, Kaito and Len. Len has some high parts, but the other two have some nice lines in lower ranges. 夢現 shifts the tone from rock to a fairly light electro track, which stands well on its own but the transition is a little jarring. Meiko is up next, though her voice really is sounding dated. Kaito follows with a very oriental sounding track that doesn't really do it for me, and then the album finishes with a 9 minute trance track by HSP - I like the song, but it doesn't really fit with the rest of the album.

The short version: A good start, with some great rock songs carrying through the bulk of the album, showing off some good producers using a wide range of Vocaloids. The tuning is pretty good overall, and the music itself is solid too. The ending is a little bit weaker, but the album as a whole is a good listen, and one of the stronger compilation albums I've heard. I linked a few of the songs in the track list above, but all the tracks can be found on Nico Nico Douga.

Ok, going to try for less of a wall of text for the next one.

ハートフルシケンス (Heartful Sequence) - EasyPop

The first EasyPop song I heard was ハッピーシンセサイザ (Happy Synthesizer), and I absolutely loved it. This is EasyPop's only album to my knowledge, and it isn't all Vocaloid.





I was surprised when I heard ハッピーシンセサイザ on this album only to find that it wasn't the Gumi and Luka version, but rather sung by a couple of real people. My gut reaction was negative, but my opinion has improved after listening to it a bit, and now I quite like it. A remix of the original Vocaloid version is also on the disc. Most of the songs are sung by Luka, but there are songs by Miku and two human vocalists scattered throughout the track list, and Gumi does a duet with Luka on one of the later tracks.

There's not as much to say on this one because it keeps a pretty consistent tone throughout. As the artist's name suggests, the album is fairly light pop with a very relaxed tone (although the lyrics aren't all as easygoing). The sound stays pretty minimal throughout, with only a few instruments in most songs. Despite the similar tone, the tracks don't come across as too repetitive, although you can definitely tell they're all by the same artist. If you like one you'll probably like them all, and vice versa. Leading on from that, if you haven't heard any EasyPop then listen to this song.

All up, I think this is a great album. The cover art is appealing as well, I always like to see characters depicted differently from the standard anime style.

I still have a few new albums but I'm going to leave it here for this post.

Saturday, 6 August 2011

From leeks to hotdogs

It's been a couple of months since I posted anything about Toyota's Miku campaign, so I figured I'd see what's happened since then. I'd hoped that it'd just die down and fade away, but then came the whole bacon-wrapped hotdog fiasco, and a couple more opportunities to make some more terrible terrible ads:




These two are a bit cringe-worthy, but could be worse. I still think it sounds silly to say "Miku-chan" in an English language ad, but that's not such a big deal. The worst is yet to come:




Yeah, I really have no idea what they were going for in these two. The ads aren't about Toyota any more, since the last three haven't had anything to do with cars, and they certainly aren't about Vocaloid as a music synthesizing program, so the only remaining possibility seems to be to piss off fans and shit on any chance of Vocaloid being taken seriously.

If you don't think the videos themselves are bad enough, take a look at the Youtube comments, where the reactions range from the positive ("MUKI IS TAKINGOVERTHE WORLD!!") to the negative ("Dont do it miku!!! dont fall for the people who nuked your home country!!", "*transforms into Black Rock Shooter* i will go and save miku before she is lost forever!").

There's also been a contest to come up with an American Miku design, to be announced at the J-Pop Summit Festival in San Francisco later this month. Given the bacon-wrapped hotdog theme though, it's clear what they're shooting for in the American market.



At this point maybe they'd be better off going the whole way and changing the song they're using from World is Mine to something more appropriate:


今の私よりもっと太く大きくなって見せるよ
On the bright side, there haven't been any new commercials in a while. I can only hope this trend continues.

I recently ordered a stack of Vocaloid CDs myself, after getting my tax return. I have no idea why the government taxes my welfare payments only to give all the tax back to me at the end of the year anyway, but it makes for a nice windfall. I ordered the new Gumi compilation album that's coming out in a month, as well as 8#Prince's newest CD and some older stuff by 40mp, among others. Hopefully they won't take too long to arrive.

And finally, it's only a week and a half until the Dota 2 championships - it'll be the first look at the game as well as (to my knowledge) the biggest prize pool in video gaming's history. I may do a post about this later, as I consider it a pretty big deal.

Sunday, 8 May 2011

Some songs and American Miku

By now anyone who's interested has undoubtedly already heard about the whole Toyota Corolla promotion featuring Miku, but I felt like adding my two cents anyway.

moe~
Like others have said, I don't see it having any value for Toyota. Most (dare I say all?) Miku fans can't afford to buy a new car, and anyone who doesn't already know her is going to be confused if not well and truly put off by the commercial. Well, the long one at least. I think the short one is a lot better for a number of reasons: the narrator isn't wanking on about dreams and works of art, we don't hear Miku's banshee wail, and we don't hear the "ima sugu ni yo" which I think seems a bit out of place - foregrounding the Japanese vocals would just serve to further distance people. If I saw the short commercial and didn't know about Miku I think I'd almost be tempted to look her up.

But it's not really about selling cars. Miku's English debut is coming up, and Crypton are trying to drum up some excitement. Surely that's not so bad? Well, no, but I still think it's a bad approach since there's still the problem of it doing very little to expand the potential market. In fact it could well end up reducing it, restricting the scope of English Miku to the 'otaku' community.

What I think they should have done is something more along the lines of Yamaha's VY1, which sounds fairly similar to Miku but was released without a character image and was advertised as having a unisex voice (although it sounds quite feminine). Obviously Miku already has a well-established character and this is the leading cause of her success, but given the Western market's general distaste for overtly anime-looking goods, I think playing down her character a bit in advertising would have been a better choice. This would give Miku more of a future in professional music (as a backup vocalist or whatever) rather than being shunned as a piece of chinese girl software. 

I could be wrong. Miku could catalyse the 'otaku' (I don't like using that word but it conveys meaning well) community into a state of unprecedented creativity and we'll actually get some good works made using her voice. I'd very much like that, but I remain pessimistic.

That's enough negativity for one blog post so I'm going to post some music. None of it's new or anything, just some tracks that I've been listening to recently.


I picked up this CD (Puzzle) on a whim when I was in Japan last Christmas, and this song's been stuck in my head on and off since. The circle is 恋竹林 (koichikurin) and the song is SA/BA/O/RI. Miku's voice is pushed a bit high but it's still pretty catchy. Another song off the album that I particularly like is Puzzle, which has a fairly similar sort of sound.


This one's Orbital, a fairly old song sung by Teto. It's got a fairly muddy sound but I really like the voice. The same guy did a second version of the same song called, not surprisingly, Orbital 2nd. It's got a cleaner sound and uses Rin as well as Teto. It's a good song too, though I think I still prefer the first.


This one isn't Vocaloid related at all - it's リラの街から (From the town of Lyre) by ORIGA, who is probably best known for her vocals on the Ghost in the Shell soundtracks. It's in Russian, I think it was released over a decade ago, but I think it's a beautiful song.

I played some Minecraft earlier with HHH and NEET. It was fun, and they've got some impressive structures going. I was going to hop back on and play some more after dinner but Cella (a Korean Zerg player from team SlayerS) is streaming Starcraft 2 and he's damn entertaining to watch. His English is pretty good too. I'll have to get back on tomorrow and work on my little house some more.

Wednesday, 30 March 2011

GUMism more-of-a-brief-overview-than-a-review post

My packages finally arrived! I got the GUMism CD as well as the Tony ver. Miku. However, since I don't have any space in my room to put Miku, she's going to have to stay in her box until I clean up this mess. Hopefully this translates into hours/days instead of weeks.

Most of the tracks on GUMism had already been released on Nico Nico Douga, so it's more of a best-of CD than anything, but I preordered it quite a while ago and have intentionally been avoiding hearing any of the tracks I hadn't already heard, so a lot of it was new to me. It's a bit early for me to be calling any top tracks but after a couple of listens I think it's a pretty solid compilation. Rosetta and For my soul are two tracks that are particularly sticking in my head so far though.

EDIT: after listening more, my favourite song would have to be 恋はきっと急上昇. I'm not real keen on any songs earlier in the album (ロゼッタ is good, 十面相 is overrated), mainly because the tuning on Gumi's voice sounds pretty amateurish. The latter half starts out heavier, which isn't usually my thing, but the songs are well done and I've found myself listening to them over and over. It winds down a bit for the last few tracks to end the album on a softer note, although I'm not a big fan of cosMo@暴走P's song. It's not bad, I just don't like his sound much in general.

I wish they didn't include her original character art. Seriously, it's horrible.


(totally stole this idea from MixedNuts/HHH)


It's got more of a rock feel than I thought it would, which isn't a bad thing at all; I think Gumi has quite a well-suited voice for that sort of music. I'm a bit surprised that there aren't any DECO*27 songs on there, especially since 弱虫モンブラン and モザイクロール are almost certainly the most well-known Gumi songs. Perhaps he just wasn't interested.

If you want to listen to it or see the romaji tracklist it's up on MikuDB.

As you can see from the photo above, the CD came with some extras: a sticker, two keychains/dangly things, and a faux bank card. It's not the first CD I've bought to come with a credit card thing, although I'm still not sure what the idea behind them is. Still, it looks cool enough.

I really like the little extras that get thrown in with a lot of Japanese CDs (well, the ones aimed at the 'otaku' market anyway, I don't know about commercial ones). It's a neat idea, they must cost next to nothing to make, and it's an added incentive to buy the CD. I wonder if major record companies have ever considered trying the same sort of thing with western bands? It's something that you can't download and it's got a certain collector's appeal to it that the CD on its own doesn't always have. Given the way they always whinge about piracy, you'd think they'd be trying anything and everything to increase sales.

Blog stuff:
It's looking like I'm finally getting back into my Japanese study after a good couple of months of basically nothing. The only reason for my extended hiatus was laziness (and it's so true that stopping at all makes it that much harder to get back into it), which is subsiding for now at least. I'm back into vocab grinding, although I'm yet to start on kanji again. It's a shame that smart.fm (the site I was using for vocab) is transitioning into a paid service. I'm not sure whether I'll give up on it or not; I have to decide if paying would give me any motivation boost or not, and if I decide not then I'll find some other service or just move over to Anki for vocab too.

Speaking of getting back into things, with the Starcraft 2 ladder reset I might just get back into 1v1 games again. Expect this to last a maximum of one week, when I will probably ragequit from being constantly cheesed.

Monday, 7 March 2011

Mikupa!


I swear it hasn't been a year already since the last big Miku concert - although maybe that's just because the blu-ray took ages to be released and hasn't actually been out for that long. Either way, this'll be Miku's third dedicated concert that I'm aware of and I've got high hopes for it. A brief timeline:

  • 2009/08/22 - first 'live' appearance at Animelo Summer Live, only performed two songs
  • 2009/08/31 - MikuFES, her first dedicated concert marking her 2nd anniversary
  • 2009/11/21 - apparently her first overseas concert in Singapore but I don't know if it was 'live' or just old footage
  • 2010/03/09 - 39's Giving Day concert. Almost 2 hours long with performances by Miku, Luka, Rin and Len
And exactly year later it will be time to see a 2.5D Miku take to the stage again. It should be interesting to see what sort of advancements in the projection technology will be seen over the year since the last concert.

Left: MikuFES (2009), right: 39's Giving Day (2010)

Ok so the comparison images I used aren't great, and a still image can't convey the huge improvements in motion, but anyone who's seen the two concerts will appreciate how much of an improvement the second one was.

The guest performers that have been announced are: 164, 40mP, buzzG, DECO*27, doriko and OSTER project. The same names keep popping up for these big Vocaloid events but since I like most of them it's really nothing to complain about. As far as I'm aware there hasn't been any mention of what songs or Vocaloids will be playing, although songs by each of the guest performers is pretty much guaranteed. I'm expecting the Vocaloids to be the same as last time: mainly Miku with appearances by Luka, Rin and Len. As much as I'd love to see Gumi (Miki, Yuki or Teto would be fine too) appear and prove me wrong, Crypton is a sponsor and I can't see them being too eager to feature competitors' products.

As far as watching it goes, you can either pay 2000 yen for a ticket to see it live on NND or, like me, you can scour the web on the night desperately looking for someone that's restreaming it. Apparently NND will be showing 'some parts' for free but what that includes is anyone's guess. Fuck, I'm just reading further down the page that NND is encouraging people to report any restreams. Oh well, I'll just have to hope I get lucky on the night.

At least the times work well for me - one of the perks of living in Australia. It starts in Japan at 7pm on the 9th of March, which is 8pm for me. Convenient! Now back to playing Project Diva (as opposed to doing my damn assignments already) in preparation.

Wednesday, 2 March 2011

Some upcoming Vocaloid music

There hasn't been a whole lot in the way of Vocaloid music that I've really been anticipating in the last couple of months, but there's some good stuff coming up soon that I'm quite eager to listen to.

Saturday, 19 February 2011

The littlest witch

I've always found SAL shipping very reliable: almost to a fault, packages will arrive exactly one single week after I've given up all hope of them ever reaching me. To its credit though, everything I've gotten shipped via SAL way has turned up eventually. This time it was Lucchini who spent the better part of two months in limbo, but she finally showed up today.